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Home >> Rock| Previous | Next |  | Hittin' the Note
Very rarely is a legendary band able to come up with new, credible material. Jam band progenitors the Allman Brothers have done better than that, tapping into some of the spark that made them one of the most influential American bands of their time. The lineup has changed due to tragedy, discontent, and plain orneriness, but the band is still able to conjure up dark tales of thwarted romance, dashed ambitions, and enduring friendship ...
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VISIT AMAZON.COM'S PAGE |  | World Without Tears
Most artists who appeal to adult listeners tend to settle into a comfortable niche, but Lucinda Williams refuses to play it safe. Instead, her music stings like an open wound, as she continues to strip away the protective layers from her art's emotional core. Though Williams has long been prized for the naked honesty of her music, this collection is even rawer than its predecessors. From the down-and-dirty bar-band blues of 'Atonement' to the Rolling Stones-style swagger of 'Bleeding ...
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VISIT AMAZON.COM'S PAGE |  | Hootie & The Blowfish
It took Hootie and the Blowfish more than four years to lick their wounds and get back into the studio after sales for 1998's Musical Chairs tanked--at least when measured again their 1994 debut, Cracked Rear View, which sold over 16 million copies. To prevent another commercial misstep, ?ber-producer Don Was was recruited to give their rootsy pop rock a tune-up and, to Was's credit, that's all he did. Was has cleaned up their folksy ...
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VISIT AMAZON.COM'S PAGE |  | Volume 4 (Limited Edition Bonus CD)
What could have been a colossal self-indulgence proves a startlingly vital album. Volume IV is faithful to the ethos of early Joe Jackson hits like 'One More Time' and 'Is She Really Going Out with Him?' Built around clattering drums, jarring guitar, hyperactive keyboards, snarling vocals, and lyrics riddled with puns and double-entendres, it harkens back to the early 1970s and late ‘80s, when Jackson peddled a wordy and venomous strain ...
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VISIT AMAZON.COM'S PAGE |  | Blacklisted
Neko Case's third solo effort is a moody, atmospheric affair that both satisfies and mystifies. Recorded in Tucson with a stellar band that includes Calexico's Joey Burns and John Convertino, Blacklisted charms you with its haunting, reverb-soaked songs, most of which were written by Case herself. The lyrics are impressionistic and, at times, inscrutable. 'Fast train, where do your passengers wait?' she sings in the title song. 'What's at the heart of your engine's rage?' While it's ...
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VISIT AMAZON.COM'S PAGE |  | Elephant
Double colored vinyl. One white. One ...
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VISIT AMAZON.COM'S PAGE |  | The Very Best Of Cher
21 unforgettable Cher songs on one disc spotlighting Sonny & Cher along with her recent hits. slipcase. Warner/Geffen. 2003.
The latest in an outrageously long line of Cher compilations is being released with the airing of her televised 'Farewell Tour' concert. For those who have seen the show (and there are millions of you) - we all know what an amazing barrage of hits the ageless hippie/pop star/chanteuse/rock'n'roller/disco diva avalanches at you as you are ...
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VISIT AMAZON.COM'S PAGE |  | Ringorama
Ringo Starr's post-Beatles music has relied on allusions to his legendary past. Indeed, the very first line of 'Eye to Eye,' the melodic hard rocker that opens Ringorama, asks, 'Remember when I said 'it don't come easy'?' On the country-tinged 'Write One for Me,' guest vocalist Willie Nelson name checks the Fabs' 'Yesterday.' And, strangely, 'English Garden,' the final track, very obviously borrows from 'Let ‘Em In,' the 1976 Paul McCartney & Wings hit. But the Beatles reference that ...
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VISIT AMAZON.COM'S PAGE |  | The Very Best of Daryl Hall & John Oates
Hall and Oates often enlivened '70s and '80s radio with sharp pop concoctions that drew on a wellspring of R&B influences picked up in their hometown of Philadelphia. They scored frequently enough, in fact, that this 20-track collection--intended to supplement or replace the earlier Rock 'n Soul, Part 1 with post-'83 winners--doesn't capture all their finest moments. (Where, for instance, are 'She's Gone,' recorded for another label but licensed by RCA for Rock 'n' Soul, and the ...
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VISIT AMAZON.COM'S PAGE |  | Meet Me In Margaritaville: The Ultimate Collection
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