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 | Title : Live in Paris
Author : Diana Krall
Release Date : 20021001
Binding : Audio CD
Regular Price : $18.98
Amazon.com Price : $13.49
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Editorial Reviews :
Recorded at the historic Olympia Theatre in Paris in November 2001, this is Diana Krall's first live album. Backed by her quicksilver combo of bassist John Clayton, drummer Jeff Hamilton, and guitarist John Pisano (on some tracks), Krall's jazz heritage comes through loud and clear on this program of standards, ballads, and bossa novas. On Peggy Lee's 'I Love Being Here with You,' Bob Dorough's 'Devil May Care,' and Frank Sinatra's 'Fly Me to the Moon,' Krall's snappy, postbop piano playing shows off her debt to Nat 'King' Cole and Jimmy Rowles. Her cool contralto vocals are illuminated by the Orchestre Symphonique Europeen, under the direction of Alan Broadbent, as well as the London Symphony Orchestra, led by conductor Claus Ogerman. Krall's deep take on Joni Mitchell's 'A Case of You' is a great choice for an encore, and the CD concludes with Billy Joel's 'Just the Way You Are' (a studio track from a film called The Guru), with tenor saxophonist Michael Brecker and bassist Christian McBride. This collection only hints at what Diana Krall has to offer in the future.
Buyer Reviews :
I know diana Krall gets her share of record company hype, but in the case of the DVD and CD here, it's actually deserved -- and therefore it really isn't 'hype'.
'The Look of Love' from 2001, was a bad stumble, and I guess Diana and her cohorts realized it. So they set out to redeem and recapture their stature and reputations. Just for the record, they succeeded -- the recovery is magnificent. I'm not sure if this is the same band with which she toured Asia in 2001 (a stellar performance on May 7, 2001 in Kowloon, Hong Kong SAR --if anyone else reading this caught it, then you know). But the jazz musicianship here is outstanding.
The strings and studio-generated mush is gone, and so are the producer efforts to make Diana Krall sound like '[insert top pop-chick's name] for adults'. There are several elements that make this a worthwhile purchase even if you own several Krall studio CD's. In the case of the DVD, there's the added bonus of the visuals, an expanded song selection, and lots of off stage and 'behind the scenes' footage. But as if to make sure that fans buy both, the CD features songs not on the DVD. THe mix is more jazz and less pop than the studio recordings. As a consequence, Diana Krall's piano playing is featured more prominently. Songs that really fell flat on 'Look of Love' are also brought to life by the presence of a drummer and vibraharpist (who is curiously not credited--probably due to some matter involving lawyers).
This performance is a return to classic form for jazz fans. The arrangements are excellent, the crowd is quiet during the songs -- but clearly thrilled by the performance. But what really makes this memorable is the song selection. That is strong enought here that I think this CD will still be listened to (and selling) decades from now.
A few surprises are 'Just The Way You Are', from Billy Joel's mid-1970's album 'The Stranger', and 'A Case Of You', an obscure Joni Mitchell song from 'Blue'. The jazz versions actually outdoo the originals in some respects, and suggest that great songs will be Diana Krall's main focus in future releases. That impression is reinforced by her rendition of 'Fly Me To The Moon', originally a hit for Frank Sinatra.
While she missed being on the soundtrack to the movie 'Space Cowboys', Krall has had other collaborations with Clint Eastwood. Eastwood (along with Willie Nelson and a few other old warhorses) seems to be looking for cool new talent and apparently Diana Krall fits that mold. So, I think we can all expect some really exceptional releases and movie soundtrack work from Diana and her fellow musicians in the next few years.
By refusing to go the pop route and doing what some brain dead VP at a record company wanted, Diana Krall has avoided the fate of Cheryl Crow and others who desparately chase celebrity and try to be part of the IN CROWD. With this release she has crossed a threshold to become one of the IN CROWD on her own terms.
This CD has the earmarks of a defining piece of work. Probably the first classic Jazz release of the 21st century.
(by the_onewhoknows)
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