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Home >> Jazz| Previous | Next |  | Saxophone Colossus
Though he lacked the improvisational fire of John Coltrane and the restless curiosity of Miles Davis, Sonny Rollins played with a rich, round tone that complimented his melodic inclinations, making him the most accessible of the post-bop musicians. Saxophone Colossus is the most successful of the late '50s albums that made his reputation. Rollins' playing never falters; he's backed by the redoubtable Max Roach on drums, Tommy Flannagan on piano, and Doug Watkins on bass. Rollins is ...
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VISIT AMAZON.COM'S PAGE |  | The Marsalis Family
In 1981, trumpeter Wynton Marsalis and saxophonist Branford Marsalis burst on the scene as the young lions who started a jazz renaissance. They were followed by their younger brothers, trombonist Delfeayo and drummer Jason. Incredible as it sounds, they've never recorded together as a family. On August 4, 2001, at the University of New Orleans, they performed with their father, the esteemed pianist and educator Ellis Marsalis in a concert that marked his retirement from the school's ...
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VISIT AMAZON.COM'S PAGE |  | Last Concert
Her only live concert recording ever! Features her emotional rendition of 'God Bless America', never before recorded by Ms. Clooney & destined to become an American treasure. 14 tracks. Concord Jazz.
Those who saw Rosemary in concert will recall her warmth, spontaneity with her audience, and total involvement with her music. Fortunately, due to one of those fortuitous happenings, a recording of her final concert was made in Honolulu. The Honolulu Symphony Pops Orchestra, anxious to obtain ...
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VISIT AMAZON.COM'S PAGE |  | Relaxin' with the Miles Davis Quintet
This CD comes from the marathon 1956 Prestige sessions with the first of Miles Davis's great quintets: John Coltrane on tenor, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. The group recorded four LPs for Prestige, contemporaneous with the early Columbia material recently celebrated on the Davis-Coltrane Complete Columbia Studio Sessions. Relaxin' emphasizes Davis's concentrated ballad style, with his middle-register trumpet played through a Harmon mute ...
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VISIT AMAZON.COM'S PAGE |  | Thelonious Monk with John Coltrane
Among Thelonious Monk's long stays at New York's legendary Five Spot was a six-month period in 1957 with possibly his most brilliant band, with John Coltrane finding fuel in Monk's music for his harmonic explorations. The quartet only recorded three studio tracks: a sublime reading of Monk's ballad 'Ruby, My Dear'; a loping version of 'Nutty'; and a stunning version of 'Trinkle Tinkle' on which Trane's tenor mirrors Monk's piano part. The CD is completed with outtakes from an octet ...
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VISIT AMAZON.COM'S PAGE |  | Greatest Love Songs
The Sinatra who could more than convincingly offer that he had a crush on you is represented by this sweetly packaged 22-track collection. Culled mostly from the early Reprise years (with a four-cut sample of Capitol performances), Greatest Love Songs makes an airtight case for his work during the period. Often tender, occasionally enthusiastic, these selections skirt the bombast and self-parody the Chairman sometimes fell into on his own label. Popular classics like 'Fly Me to the ...
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VISIT AMAZON.COM'S PAGE |  | Essential George Gershwin
Given his seemingly effortless ability at melding such disparate forms as jazz and gospel with his own rare melodic gifts, it's not hard to view George Gershwin as America's first classical crossover artist. But as this glorious, 41-track double-disc introduction to Gershwin's epochal repertoire quickly demonstrates, that assessment woefully shortchanges the sheer grandeur of 'Rhapsody in Blue' or the sultry earthiness of 'Summertime.' Singer and pop musicologist Michael Feinstein produced the set (as well as contributing a new ...
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VISIT AMAZON.COM'S PAGE |  | A Love Supreme
A Love Supreme is a suite about redemption, a work of pure spirit and song, that encapsulates all the struggles and aspirations of the 1960s. Following hard on the heels of the lyrical, swinging Crescent, A Love Supreme heralded Coltrane's search for spiritual and musical freedom, as expressed through polyrhythms, modalities, and purely vertical forms that seemed strange to some jazz purists, but which captivated more adventurous listeners (and rock fellow travelers such as the Jimi ...
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VISIT AMAZON.COM'S PAGE |  | OH!
Scolohofo. Behind this saw-toothed creation of a word are four exemplary players: John Scofield, Joe Lovano, Dave Holland, and Al Foster. They've worked together over the decades in various combinations, but never together as a quartet. And, of course, they all have the letter o in the first syllable of their last names. After two tours (in 1999 and 2002), the four convened in New York City to record this, their debut. They are all ...
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VISIT AMAZON.COM'S PAGE |  | Sunday at the Village Vanguard (20 Bit Mastering)
This live recording by the Bill Evans Trio at the Village Vanguard on June 25, 1961, marked the end of one of the most sublime instrumental combinations in jazz history when bassist Scott LaFaro died in a car accident 10 days later. This unit is underdocumented because Evans, a notorious perfectionist, was reluctant to record. The interchange between Evans on piano, LaFaro on bass, and Paul Motian on drums is balletic in its balance of emotional beauty and technical precision. ...
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