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Three years after the experimental and not-always-successful Come on Now Social, the Indigo Girls return to a more traditional framework with the acoustic-based Become You. A deft melding of folk, rock, and pop--and laced with Latin and soul around the edges--Become You gets to the heart of what Amy Ray (the rocking half) and Emily Saliers (the gentler half) do best: chronicle the complexities of love and socio-sexual politics from a feminist viewpoint. While the seductive and ...
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VISIT AMAZON.COM'S PAGE |  | "Love and Theft"
When we last left the ever-confounding saga that is Bob Dylan's now-superhuman recording career, he'd reunited with producer Daniel Lanois, with whom he cut 1997's Time Out of Mind, his most coherent and appealing collection in nearly a decade. Now the still-reigning prince of musical contrariety and potent wordplay is back with his most focused, well-played collection since 1989's Oh Mercy, another Lanois production. One listen to the fade-in of the opener 'Tweedle Dee & Tweedle Dum' ...
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VISIT AMAZON.COM'S PAGE |  | Ten New Songs
Where has Leonard Cohen been for the past nine years? The legendary songwriter's mostly been in a Zen monastery, it turns out, obsessively rewriting and polishing the oblique, lapidary lyrics for this austere collection. Ten New Songs is arguably Sharon Robinson's record as much as Cohen's--she cowrote all the songs, plays most of the instruments (primarily a synth that seems to have freshly emerged from a chintzy 1984 power ballad), and accompanies Cohen's gloomy croak with her own ...
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VISIT AMAZON.COM'S PAGE |  | Are You Passionate?
Though Are You Passionate? is Neil Young's studio-recorded follow-up to 2000's Silver & Gold, it might well have emerged on the heels of Harvest Moon. While both Crazy Horse and Booker T. & the MGs swing by to add ballast to several of these 11 brand-new tracks, gentle weepers like 'Don't Say You Love Me,' 'When I Hold You in My Arms,' and the softly lilting title track recall Young's aforementioned 1992 work while suggesting that the ...
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VISIT AMAZON.COM'S PAGE |  | From a Distance: The Very Best of Nanci Griffith
Well, the title is misleading, as this collection showcases only her MCA era; a more accurate designation would be From a Distance: The Best Stuff Nanci Griffith Did After She Left Philo and Before She Went to Elektra, but maybe that's not catchy enough. What is compelling is the music itself. During the period of 1987 to 1991, Griffith wrote some of her best material. She also discovered Julie Gold's classic title song, but found ...
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VISIT AMAZON.COM'S PAGE |  | Dream Street Rose
Released in March of 1980, DREAM STREET ROSE had all the makings of a classic Lightfoot recording. Every track shines on its' own. The opening track 'Sea of Tranquility' is mesmerizing with its' blend of steel, electric guitar and keyboards. This should have been the first single from the album. 'Sea..' is definately one of the highlights as is the title track, 'On the High Seas', 'Whisper My Name' and 'If You Need Me'. This is ...
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VISIT AMAZON.COM'S PAGE |  | Will the Circle Be Unbroken (30th Anniversary Edition)
In an age when the old-timey soundtrack to O Brother, Where Art Thou? sells 5 million copies, it's hard to imagine how revolutionary Will the Circle Be Unbroken seemed upon its release 30 years ago. The triple album (now rereleased as a two-CD set) paired many of Nashville's venerable country and bluegrass performers (Roy Acuff, Mother Maybelle Carter, Earl Scruggs, Doc Watson, Merle Travis, Jimmy Martin, Vassar Clements) with the Nitty Gritty Dirt Band, or as Acuff called them, 'a ...
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VISIT AMAZON.COM'S PAGE |  | October Road (Limited Edition with Bonus CD)
There's a comfortable sense of the familiar to James Taylor's first collection of new songs since 1997's Grammy winner Hourglass; such is the curse of being a decades-spanning cultural icon. But, as on his best work, there's also an almost stealthy sense of musical restlessness that seeps into Taylor's songs here, as he colors some with deft jazz and international influences. The reunion with producer Russ Titelman (they last collaborated on 1976's In the Pocket) seems to have ...
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VISIT AMAZON.COM'S PAGE |  | October Road
There's a comfortable sense of the familiar to James Taylor's first collection of new songs since 1997's Grammy winner Hourglass; such is the curse of being a decades-spanning cultural icon. But, as on his best work, there's also an almost stealthy sense of musical restlessness that seeps into Taylor's songs here, as he colors some with deft jazz and international influences. The reunion with producer Russ Titelman (they last collaborated on 1976's In the Pocket) seems to have ...
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VISIT AMAZON.COM'S PAGE |  | Daybreaker
Like Beth Orton's previous offerings, her third album makes a slight first impression. Sure, the jangly acoustic guitars, drifting melodies, and robust voice are pleasant enough, but it is only after a while that the true potency of the songs becomes apparent. 'Nobody can keep you from the one you know you are,' she sings quietly on 'Mount Washington.' Fueled by her mother's early passing, each of Orton's songs is accordingly anchored ...
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