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Home >> Dance & DJ| Previous | Next |  | Missundaztood
There's a rule in commercial pop: don't bite the hand that feeds you. Translation? If you're getting love on TRL, it's best leaving well enough alone and tinkering only slightly with the sound that pays your bills. So you have to give Pink a whole heap of credit. The Philly-raised songbird may have made her rep with infectious and rugged pop-R&B hits like 'There You Go' and the remake of 'Lady Marmalade,' but like the fuchsia coif she ...
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VISIT AMAZON.COM'S PAGE |  | A Little Less Conversation
Elvis may have left the building, but his song 'A Little Less Conversation' has entered the charts at #1 in England. An obscure song from the 1968 movie 'Live A Little, Love A Little,' the song was remixed for a Nike World Cup TV commercial featuring a British player. Music purists may scoff at this remix, and some Elvis fans may even consider it to be sacrilege. I think its genius that they reworked a little known song, rather than ...
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VISIT AMAZON.COM'S PAGE |  | Dirty Vegas
Not exactly dance-pop as commonly defined by Erasure or the Pet Shop Boys, Dirty Vegas's self-titled album nonetheless fits into the genre. In fact, 'trace-pop' is arguably the best definition, as it is the likely offspring of Madonna's Ray of Light and Electronic's seminal debut CD. Promising, yes, but the songs become rather indistinguishable from one another, mainly because the vocals--compressed and folky--lend a sameness to tracks that are otherwise diverse in tone and pace. ...
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VISIT AMAZON.COM'S PAGE |  | 18
Following one of the most licensed CDs in history, 18 delivers more of the gospel samples and spiritual exploration that made Play Moby's breakthrough album. But keep your expectations in check. On 18 there is barely a body-rocker in the bunch. This is often a somber, melancholy disc, blanketed in the washed-over cinematic orchestral melodies Moby's been fond of since his classic self-titled debut. It requires several listenings before the gems shine through the ambient fog--and most ...
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VISIT AMAZON.COM'S PAGE |  | ABBA - Gold: Greatest Hits
Anyone looking for the key to ABBA's enduring appeal should look no further than 'Voulez Vous' and 'Gimme! Gimme! Gimme! (A Man After Midnight)' for their answer. There was an innocence to the Swedish quartet, even when they were singing about one-night stands and the invitations to them. Gold establishes that the band, while appreciated as campy, were actually multifaceted in their execution. 'S.O.S.' has a raw urgency in its chorus, and 'Does Your Mother Know' draws its energy from ...
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VISIT AMAZON.COM'S PAGE |  | Vespertine
Ever since Björk's vital, effusive 1993 debut, her music has been increasingly intimate, gently private, and concerned with seclusion. It's typical then that Vespertine's first single is called 'Hidden Place.' The studious solitude is rewarding, though. Vespertine is a lush, gorgeous swell of midpace electronica, symphonic strings, and Björk's uniquely alien, spectral vocals. There are fantastical wonders here. 'Cocoon' (another eulogy to withdrawal from the world) is delicate as a breath, Björk sounding too fragile to be flesh as ...
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VISIT AMAZON.COM'S PAGE |  | Bunkka
Despite Paul Oakenfold's status as 'the world's most successful DJ' (according to the Guinness Book of Records, no less), and producing bands like the Happy Mondays and U2, Bunkka is his first real stab at solo superstardom. Abandoning the podium trance with which he made his name, Bunkka sees Oakenfold marrying Hybrid-like breakbeats with rock, hip-hop, and progressive house--not to mention a healthy dose of pop. Add an impressive list of guest vocalists--Tricky, Nelly Furtado, Ice ...
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VISIT AMAZON.COM'S PAGE |  | Play
Those who have followed Moby's career are familiar by now with his deep convictions and spiritual connection. On his 1999 release, Play, he celebrates his faith in a masterful, unobtrusive way, channeling gospel and other inspirational samples through beats so earthy they could grow grass on a cement dance floor. It's impossible to separate the joy of the message from the joy of the grooves.
Moby's become a little more funky and diverse since Everything Is Wrong, which was his ecletic ...
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VISIT AMAZON.COM'S PAGE |  | Fever
Fever was released on a wave of publicity as the lead single, 'Can't Get You out of My Head,' battled on the U.K. charts with the debut effort of Spice diva Victoria Beckham--and it won spectacularly. Kylie Minogue's sound has progressed again since the disco-inspired Light Years, plundering the retro style of post-disco electro from the late 1970s and showing what might have happened if Kraftwerk had produced Donna Summer or Chic. ...
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VISIT AMAZON.COM'S PAGE |  | Cookie: The Anthropological Mixtape
This is simply an awesome CD. Meshell has thrown down the most powerful musical statement since Michael Franti and Spearhead's 'Stay Human'.
It's a challenge to describe Meshell's approach to her art. Elements of jazz, funk, poetry, soul and hip hop blend so easily through her works, and it's clear that she disdains categorization.
There are too many good songs on this disc to offer up individual props, but if one tune deserves mention above all, it's 'Trust', a smoldering, ...
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