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Home >> Country| Previous | Next |  | O Brother, Where Art Thou?
The best soundtracks are like movies for the ears, and O Brother, Where Art Thou? joins the likes of Saturday Night Fever and The Harder They Come as cinematic pinnacles of song. The music from the Coen brothers' Depression-era film taps into the source from which the purest strains of country, blues, bluegrass, folk, and gospel music flow. Producer T Bone Burnett enlists the voices of Alison Krauss, Gillian Welch, Emmylou Harris, Ralph Stanley, and kindred spirits for performances of ...
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VISIT AMAZON.COM'S PAGE |  | Now Again
The Flatlanders--Joe Ely, Jimmie Dale Gilmore, and Butch Hancock--first came together in Lubbock, Texas, in 1971. Along with musical saw player Steve Wesson and mandolinist Tony Pearson, they recorded one of the great 'lost' albums of all time, a quirky acoustic-music gem that finally saw the light of day in 1990, when Rounder released the aptly named More a Legend Than a Band. Ely, Gilmore, and Hancock have since gone on to forge ...
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VISIT AMAZON.COM'S PAGE |  | Yankee Hotel Foxtrot
Named in honor of the three-word codes used by short-wave radio operators, Wilco's fourth album sounds like a late-night broadcast of some weirdly wonderful pop station punctuated by static and the sonic bleed of competing signals. Songs that begin with simple, elegiac grace--'Ashes of American Flags' and 'Poor Places'--end in a cathartic squall of distortion. The results can be initially jarring, but it's these tracks more than the sturdy jangle pop of 'Kamera' or 'Heavy Metal ...
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VISIT AMAZON.COM'S PAGE |  | Nickel Creek
San Diego is not exactly known as a hotbed of contemporary bluegrass music, but then again, Nickel Creek are a far cry from most bluegrass bands you've ever heard. On their Alison Krauss-produced debut, they serve up a lilting, ethereal fusion of bluegrass, Celtic, modern folk, and even classical influences, offering exquisite harmonies that would be more at home at a Crosby, Stills & Nash tribute than at a musical salute to the late ...
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VISIT AMAZON.COM'S PAGE |  | Time (The Revelator)
The considerable promise carried forth on Gillian Welch's first two albums is thoroughly fulfilled on Time (The Revelator). Welch has traded the guidance of her previous producer, T Bone Burnett, for the sympathetic studio skills of her longtime guitarist-harmony singer David Rawlings, who loosens the reins just enough to allow moments of spontaneity to sparkle within the duo's spare, eloquent playing. 'Revelator' is an instant classic, perhaps the first great folk song of the 21st ...
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VISIT AMAZON.COM'S PAGE |  | New Favorite
After her 1999 gold release, Forget About It, Alison Krauss has found additional success as part of the soundtrack to O Brother, Where Art Thou?--an album that's done more to advance the cause of bluegrass since Bill Monroe first conjured the music out of the hills of western Kentucky. While Forget About It showcased the more contemporary part of Krauss's musical equation and the O Brother soundtrack spotlighted the more traditional, New Favorite combines the approaches in balancing ...
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VISIT AMAZON.COM'S PAGE |  | Down from the Mountain: Live Concert Performances by the Artists & Musicians of O Brother, Where Art Thou?
Country music reclaimed its traditional soul with the chart-topping triumph of the O Brother, Where Art Thou? soundtrack. This concert sequel, recorded (and filmed) at Nashville's venerable Ryman Auditorium, reunites Emmylou Harris, Gillian Welch, Alison Krauss and Union Station, and other O Brother standouts. With little duplication, the selection extends the movie's revival of acoustic spirituals and Appalachian balladry, though the performances and pacing of the concert aren't quite as consistently compelling as the studio ...
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VISIT AMAZON.COM'S PAGE |  | Ralph Stanley [Exclusive Amazon.com Edition]
If a number of songs on the wildly popular O Brother soundtrack conspired to raise depression-era spirits with visions of big rock candy mountains and unflagging sunshine, Ralph Stanley's chilling 'O Death' stood firm in reminding folks of just what really lay in store. It's no surprise, then, that Stanley's Columbia/DMZ debut continues in the same pessimistic vein, recounting the ancient mountain themes of false-hearted lovers, knife-wielding suitors, and a peace found only in the ...
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VISIT AMAZON.COM'S PAGE |  | Drive
He sings straight, writes songs without a half dozen Music Row hacks pitching in their two cents, and keeps the music basic. On Drive, Jackson mixes wistful visions with satire, sorrow, and eloquence, using old cars--'Drive (For Daddy Gene)'--to explore growing up and, on 'Work in Progress,' spoofing a woman obsessed with 'improving' her man. As usual, he explores love's joy ('When Love Comes Around') and anguish ('The Sounds'). His flair for thoughtful, evocative expression reaches ...
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VISIT AMAZON.COM'S PAGE |  | No Shoes No Shirt No Problems (Bonus Track)
A megahit with young country fans, Kenny Chesney may seem like an accidental star, but he's succeeded largely by understanding what his following wants to hear. No Shoes, No Shirt, No Problems taps directly into the squiggly vein that runs between adolescence and adulthood, when responsibilities call and Jimmy Buffett dreams beckon. As much a celebration of life as of youth itself, the album succeeds best when Chesney turns wistful and thought-provoking ('A Lot of Things Different,' ...
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