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Home >> Alternative Rock| Previous | Next |  | 14 Shades of Grey (with Limited Edition Bonus DVD)
The Beatles had the White Album, Metallica, a black album, and now Staind has its gray album. While lumped in with the often indistinguishable nu metal crowd, Staind stands out, thanks in part to memorable ballads, such as the pained and beautiful 'It's Been A While' and 'Epiphany' from the quartet's 2001 breakthrough Break the Cycle. Their latest represents a natural progression; realizing the commercial potential of the poignant but heavy rock ballad, they've penned a slew of them. ...
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VISIT AMAZON.COM'S PAGE |  | Out of the Vein [Limited Edition w/ Bonus DVD]
Perhaps Third Eye Blind should have titled their third album 'Same Vein,' since the record offers more of what put the San Francisco band on the map--brainy stream-of-conscious lyrics, big choruses, chunky fretwork, and a liberal dose of sexual innuendo. Frontman Stephan Jenkins engages in some artistic bloodletting here, opening a vein and allowing all the anguish he's experienced over the last few years to spill into these songs. Twelve of the 14 compositions find Jenkins recounting ...
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VISIT AMAZON.COM'S PAGE |  | The Golden Age of Grotesque [Limited Edition w/ Bonus DVD]
Album, which was inspired by the seamy underside of Weimar Berlin, circa 1930. The album is constructed along the lines of Alice Cooper's 1975 gem, Welcome to My Nightmare, dipping in to the same cabaret of Cooper's 'Some Folks.' Unlike Cooper, however, this is no comic nightmare. 'This isn't a show / This is my f*cking life / I'm not ashamed / You're entertained,' Manson snarls in 'Vodevil,' making it abundantly clear that the singer ...
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VISIT AMAZON.COM'S PAGE |  | Deftones
While alt/nu/rap-metal typically bounds between two emotional poles--pissed-off and extremely pissed-off--and a musical range to match, the Deftones continue to push the genre's narrow boundaries outward on their fourth big-label release. Mic man Chino Moreno's patent yowl belies a range of emotion rare in the genus, while guitarist Stephen Carpenter seasons his buzz-saw assault with some industrial-strength riff textures and mixer Frank Delgado's spooky, synthetic textures further underscore Moreno's blossoming lyrical impressionism. If they stray uncomfortably close to ...
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