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Home >> Alternative Rock| Previous | Next |  | Daybreaker
Like Beth Orton's previous offerings, her third album makes a slight first impression. Sure, the jangly acoustic guitars, drifting melodies, and robust voice are pleasant enough, but it is only after a while that the true potency of the songs becomes apparent. 'Nobody can keep you from the one you know you are,' she sings quietly on 'Mount Washington.' Fueled by her mother's early passing, each of Orton's songs is accordingly anchored ...
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VISIT AMAZON.COM'S PAGE |  | Reanimation
Reanimation is the evil twin of Linkin Park's 2000 debut, Hybrid Theory. While plotting their next studio album, the Southern California band enlisted some of aggro rock's leading lights, as well as some of the more enlightened underground MCs and producers, to slice and dice all the songs on their debut (including a few bonus cuts that made it to their Japanese release). Linkin Park allowed their special guests--including Korn's Jonathan Davis, Staind's Aaron Lewis, Orgy's Jay ...
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VISIT AMAZON.COM'S PAGE |  | Yoshimi Battles the Pink Robots
As these dimpled moptops from Oklahoma grow pepper-bearded and transform into wizened elder statesmen of sonic adventuring, the heartfelt candy of their loving bubblegum stretches ever longer into echoing soundscapes. If Radiohead are halfway to becoming U2, the Flaming Lips are nine-tenths of the way to pop nirvana. Hardly a song on Yoshimi isn't resonated, echoed, and reverberated--floating the listener higher until they have the ultimate bird's eye view of what makes a great band ...
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VISIT AMAZON.COM'S PAGE |  | Highly Evolved
Hailed by a growing number as 'the future of rock,' the Vines are more a conglomeration of the best of the past. The Sydney, Australia, quartet sounds alternately like Nirvana, the Beatles, T. Rex, and even the Beach Boys (and, at times, all of those blended together). On Highly Evolved they present 12 flawlessly crafted songs, each one living up to the title of the album and first song. The wistful yearning of 'Homesick,' the breakneck ...
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VISIT AMAZON.COM'S PAGE |  | Charango
Since bursting onto the charts and into national consciousness with 1998's sophomore album, Big Calm, Morcheeba have carved a niche as purveyors of evocative nuevo-lounge and dreamy ambience. While 2000's Fragments of Freedom saw the South Londoners' first tentative step out of the 'coffee table' pigeonhole, Charango is the sound of them relaxing, infusing influences such as hip-hop, country, and cinematic scores into a joyous blend of humor, romance, and soothing melancholy. Vintage ...
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VISIT AMAZON.COM'S PAGE |  | Rabbit Songs
It's written into the logic of creativity that something like urban clatter and din can create calm. That's Hem. The Brooklyn quartet makes acoustic latticework of guitars, mandolins, piano, an array of orchestral instruments, and the floating voice of Sally Ellyson, which is equally suited to whisper-quiet tunes like the brief opener, 'Lord, Blow Out the Moon Please,' as it is to 'Stupid Mouth Shut' and the band’s boisterous rendition of 'The Cuckoo.' Hem’s mellowness follows a ...
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VISIT AMAZON.COM'S PAGE |  | The Spirit Room
'So I'm a little left of center, I'm a little out of tune,' sings Michelle Branch on her debut album's 'You Get Me.' Well, maybe. Branch offers a well-produced pastiche of chiming and strumming guitars, hip-hop-lite beats, quiet-verse-to-louder-chorus templates, and positive thinking. At her best--'If She Only Knew,' a propulsive love note to an ex--she rivals the likes of Sixpence None the Richer as likable radio-aimed fare. Catchy and self-expressive while breaking absolutely no ...
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VISIT AMAZON.COM'S PAGE |  | A Rush of Blood to the Head
Coldplay required a lifetime to make its wonderfully assured debut, Parachutes. But it took less than two years for the moody British quartet to deliver a masterful follow-up. As a band they have advanced to a stage where they outshine nearly every one of their rivals in terms of imagination and emotional pull. A Rush of Blood to the Head is a soulful, exhilarating journey, moving from the cathartic rock of 'Politik' to the hushed tones ...
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VISIT AMAZON.COM'S PAGE |  | Down from the Mountain: Live Concert Performances by the Artists & Musicians of O Brother, Where Art Thou?
Country music reclaimed its traditional soul with the chart-topping triumph of the O Brother, Where Art Thou? soundtrack. This concert sequel, recorded (and filmed) at Nashville's venerable Ryman Auditorium, reunites Emmylou Harris, Gillian Welch, Alison Krauss and Union Station, and other O Brother standouts. With little duplication, the selection extends the movie's revival of acoustic spirituals and Appalachian balladry, though the performances and pacing of the concert aren't quite as consistently compelling as the studio ...
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VISIT AMAZON.COM'S PAGE |  | Sea Change
Beck is bummed. Really bummed. And if song titles such as 'Lost Cause,' 'Lonesome Tears,' 'Already Dead,' and 'Nothing I Haven't Seen' don't make the point, his achingly sad lyrics and Sea Change's unerringly downcast sound do. While 1998's Mutations--arguably the singer-songwriter's masterwork and Sea Change's spiritual cousin--was filled with unflinching self-examination, moments of levity were found in songs like 'Tropicalia.' Not so on Sea Change. Beck's woozy, almost narcoleptic delivery seems to amplify the set's sense of ...
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