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Home >> Alternative Rock| Previous | Next |  | Hard Candy
Hard Candy is, most certainly, just another Counting Crows album. But it's difficult to imagine that there's ever going to be too many. For a band that formed during the grunge-dominated early 1990s, Counting Crows did something remarkably brave--though they helped themselves to the same legacy of 1970s and '80s FM radio rock as the Seattle groups, they chose not to subvert it with any punk influences. Counting Crows were determined to ...
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VISIT AMAZON.COM'S PAGE |  | Room for Squares
Singer-songwriter John Mayer fills his debut, Room for Squares, with pep talks to and advertisements for himself. Even when questioning his young life, Mayer's doubts come off glib; not one second of 'Why Georgia' convinces that 'the stirring in my soul' keeps the artiste awake at night. Between his Dave Matthews-wannabe vocals and the accomplished but bland lite rock of his band, he could be just as easily offering tunes for hire to a ...
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VISIT AMAZON.COM'S PAGE |  | No!
Hitch up your I-Pods, egg-headed hipsters of the future: They Might Be Giants, the out-there band that files its sound under the banner of 'Can't We All Just Get Along' is speaking your language. What they're saying is No!, but in a way that's weirdly welcoming, especially to anybody who's over 3 and has a hard drive. No!'s computer enhancements (animation, games, and a sing-along scroll bar) don't assign the strictly audio experience ...
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VISIT AMAZON.COM'S PAGE |  | Yankee Hotel Foxtrot
Named in honor of the three-word codes used by short-wave radio operators, Wilco's fourth album sounds like a late-night broadcast of some weirdly wonderful pop station punctuated by static and the sonic bleed of competing signals. Songs that begin with simple, elegiac grace--'Ashes of American Flags' and 'Poor Places'--end in a cathartic squall of distortion. The results can be initially jarring, but it's these tracks more than the sturdy jangle pop of 'Kamera' or 'Heavy Metal ...
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VISIT AMAZON.COM'S PAGE |  | Rock Steady
As much as No Doubt have protested that they are a singular unit and not 'Gwen and her guys,' Gwen Stefani's much-touted duets with rapper Eve and techno mogul Moby did nothing to juice the boys' spotlight, which had been steadily dimming since the release of 2000's Return of Saturn. But all that banter is silenced with Rock Steady, on which the music is definitely the star, unfettered by Gwen's cutesy-clouded feminism or dumped-by-the-boyfriend woes. Having mostly departed from their ...
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VISIT AMAZON.COM'S PAGE |  | Under Rug Swept
With all the attention Alanis Morissette's career has garnered, it's startling to think that on the release of her third studio CD she has yet to see her 28th birthday. Under Rug Swept finds Morissette in the producer's role, a position she seems more comfortable with at this stage than songwriter. The opener, '21 Things I Want in a Lover,' finds Morissette ticking off her likes and dislikes before an attention-grabbing explosion of ...
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VISIT AMAZON.COM'S PAGE |  | By the Way
When the Red Hot Chili Peppers first appeared smeared in neon body paint with socks dangling precariously from their wieners, even the most faithful funk-metal convert couldn't have conceived they would be around some 20 years later, carrying on in much the same fashion. Despite a long history of tragedies and personnel upheavals, the California quartet's eighth album is mostly business as usual--and business, as usual, is quite good. The title track, 'By the Way,' is a powerful, ...
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VISIT AMAZON.COM'S PAGE |  | Veni Vidi Vicious
American punk rock seems to get more watered down with each passing year. Leave it to the Swedes to remind the USA that we were once the home of the Stooges and the MC5. The Hives' Veni Vidi Vicious owes its very being to Detroit's punk genesis; they may be decades too late, but the Hives capture the zeal and fury perfectly. 'Die, All Right,' an angry rant against capitalism, spikes the aural brew with frontman Howlin' Pelle Almqvist's ...
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VISIT AMAZON.COM'S PAGE |  | Heathen [Limited Edition w/Bonus Disc]
Heathen is, in essence, the first 'traditional' Bowie album worthy of kudos in years, as it successfully reunites Bowie with producer Tony Visconti, the man at the controls during Bowie's Berlin period. Heathen finds rock's greatest chameleon once again remolding his past, advancing to new vistas by moving up that metaphorical hill backward. Even more gratifying is the universally high quality of the songwriting craftsmanship on offer, where even a ditty as frivolous as 'Everyone Says ...
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VISIT AMAZON.COM'S PAGE |  | When I Was Cruel
Following a string of tasteful but sometimes bloodless collaborations with Sophie Van Otter, Bill Frisell, and the London Symphony Orchestra, Costello delivers his most visceral and satisfying CD in years with When I Was Cruel. Reunited with half the Attractions, Pete Thomas and Steve Nieve, Costello sticks relatively close to the sharp new-wave melodies that sealed his reputation in the late '70s and '80s, but infuses them with powerful sonic touches: a hypnotic loop of Italian pop ...
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